1 h 41 min. “What Keeps You Alive” not only offers stylish, stunning shots, but it also makes great use of space, especially vertically. Sortie : 7 novembre 2018. avec Leonard Scheicher, Jonas Dassler, Tom Gramenz. 2 h 10 min. Et l'enjeu du combat est d'autant plus élevé que son rival est lié au passé de sa famille. drame. Sortie : 7 mars 2018. 2 h 14 min. de Aneesh Chaganty The Academy Gives The Oscars O.K. L’enfance, la famille, la mort, l’amour : les thèmes sont universels, les interprètes (en particulier les enfants) d’une vérité absolue, le scénario en dentelle, la mise en scène d’une beauté simple et magnifique, l’émotion en crescendo : oui, ça valait bien une Palme d’or. So, it’s refreshing when a horror film – even not an entirely perfect one— comes along and finds stimulus in movies like, “Don’t Look Now,” “The Exorcist,” “The Changeling,” and other more somber, drama-oriented horror films. 1 h 50 min.

In the wake of her husband’s death, Suzanne (Andie MacDowell) strives to start anew, as does her son Nicholas (Chris O’Dowd)—albeit, in the latter’s case, in ways that are as clumsy as they are ugly. deine Lieblingsserien und Filme, auf die du sehnlichst wartest. avec Matt Damon, Kristen Wiig, Christoph Waltz.

de José Padilha „Unsane: Ausgeliefert“ findet ihr bei Amazon. Warner Bros. Si vous n'êtes pas à l'aise avec l'utilisation de ces informations, That intertwining of the personal and professional provides a sturdy backbone for a series of set pieces that, especially in IMAX, are nothing short of astonishing. As with our TV list (coming tomorrow), a lot of great films got multiple votes but couldn't quite inch onto the Top 10.

While that set-up suggests a love triangle drama, what ensues is something far more beguiling, as Haemi goes missing and Ben expounds on his fondness for setting rural greenhouses on fire. Long-métrage d'animation

comédie musicale et Les meilleurs films sur l'esclavage. Annihilation is the best sci-fi film in years, a mind-blowing trip into an inscrutable heart of darkness that marks writer-director Alex Garland as one of the genre’s true greats. thriller. Film Les meilleurs films se déroulant à Halloween. Teenagerdom is tough, and Bo Burnham’s Eighth Grade captures the difficult ups and downs of that universal experience with amusing and moving realism. That it certainly does, as writer-director-star Jim Cummings’s first feature deftly navigates the uneasy tragicomic territory inhabited by its main character, Texas police officer Jim Arnaud. First Man, le premier homme sur la Lune (2018) First Man. That’s exactly what “Don’t Leave Home” sets out to do. 2 h 09 min. Sortie : 2 mai 2018. 2018 hält einige spannende Filme bereit, die eure Nerven strapazieren werden.

„A Beautiful Day“ findet ihr bei Amazon. Only the hardest of hearts could resist its good-natured charm, epitomized by its sincere belief (advocated by Paddington himself) that the key to improving the world (and ourselves) is compassion, affection, politeness, and positivity.

While those artists are rightfully adored, the homage can get stale when it has nothing new to offer. Film Horror films were more than just merely alive in 2018; they were thriving. Known for his creative contributions to several horror anthologies (“The Signal,” “V/H/S,” and “Southbound”), director David Bruckner handles this claustrophobic, mythological creature feature with the talents of an accomplished craftsman. Rosamund Pike gives the performance of the year in A Private War, exuding a thorny mixture of fierce determination and PTSD-fueled torment as real-life war correspondent Marie Colvin, who perished during Syria’s Siege of Homs in 2012. Sortie : 14 février 2018. The angry disaffection of South Korean youth, and the sinister trouble it can breed, is the focus of Lee Chang-dong’s Burning, which melds suspense and social commentary to eerie effect. Des chiens exilés sur une île-dépotoir après une épidémie, et un petit garçon à la recherche de son fidèle compagnon : entre aventure picaresque et métaphore politique puissante, le film de Wes Anderson est un retour pour le réalisateur aux marionnettes en animation image par image (comme dans Fantastic Mr Fox) et signe un film d’une richesse absolue, aussi belle qu’humaniste, fantaisiste que touchante.

Set to an eclectic score (sharp strings, harsh noise) that’s sometimes at odds with the action, Nyoni’s drama—playing like a droll, horrifying 21st century riff on The Crucible—is a startlingly inventive story about modern institutionalized misogyny.