[4] Gilroy also wrote the script, which he conceived in 1988 after reading the photo-book Naked City, a collection of photographs taken by American photographer Weegee of 1940s New York City residents at night. "Review/Film; Scurrying Back in Time In Search of a Healthy Body", "Netflix Gave 'Velvet Buzzsaw' Filmmaker Dan Gilroy the Budget No Studio Would", "Tony Gilroy writes himself perfect role: intrepid filmmaker", "Frank D Gilroy, Pulitzer prize-winning playwright, dies aged 89", "Lots of local affiliation to major Hollywood films", "10 Directors to Watch: Dan Gilroy Dissects L.A. in, "Bare-Knuckle Bots, Showing Their Mettle in the Boxing Ring", "The Bourne Legacy review: Thrill killer", "Complete List of Film Independent Spirit Award Winners", "Dan Gilroy on the "Tsunami of Superhero Movies" at the Independent Spirit Awards", "Denzel Washington Circling Dan Gilroy's Legal Drama, "Sony's Denzel Washington Legal Drama Gets Title (Exclusive)", "Dan Gilroy Encouraged Denzel Washington To Change Lanes For, "Review: In 'Roman J. Israel, Esq.,' Denzel Washington as a Lawyer Out of His Element", "Denzel Washington is great in the less-great Roman J. Israel, Esq. ça ira, ça ira... ou pas ?

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: EW review", "The Death of 'Superman Lives': What Happened? Blue Steel : Comment pourrait-on s'ennuyer en regardant Jamie Lee Curtis ? [17], Gilroy made his directorial debut with the thriller Nightcrawler (2014),[18] which starred Jake Gyllenhaal, [15] Manohla Dargis of The New York Times described the Gilroys' script as something that "has given [Tony] much more to wrangle—locations, characters, hardware, franchise expectations—than he's had to deal with in the past",[16] while Toronto Star reviewer Peter Howell said it resorted "too much into jabbering and jargon and not enough into action". C'est la réalité", Velvet Buzzsaw a été inspiré par l'échec de Superman Lives avec Nicolas Cage.

Gilroy's first produced feature, "Freejack" (1992), was followed by a host of minor efforts, including "Chasers" (1994) and "Two for the Money" (2005) before scoring two substantive hits as story co-writer on "Real Steel" (2011) and co-writer on "The Bourne Legacy" with his brother, fellow screenwriter-turned-director Tony Gilroy.